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A collection of Australian TV network promos, idents and TV ads. For the love of television.

2UW TVC Classic Hits of Summer 1986

2UW TVC Classic Hits of Summer 1986

2UW is Sydney radio station, which commenced transmission on 13 February 1925 on 1125kHz AM. From the early 1960s, 2UW moved away from its older audience and actively pursued the youth market through the introduction of a Top 40 format in response to the music coming from the United States and Great Britain and to provide a vehicle for the up-and-coming Australian local rock scene. It was one of the most innovative AM stations during the mid 1960s and through the 70s. One of the most successful promotions was the NEW2UW (pronounced as New-UW) studio at the Sydney Royal Easter Show. This provided a unique opportunity for the radio stations stars to mingle with their listeners. In 1969 the NEW2UW managed to lure announcer John Laws from his drive time slot at 2UE and gave Laws his first morning programme in Sydney radio which was an immediate success, but also brought much confusion to the audience as the radio station went through a series of breakfast announcers and format changes which sought to capitalise on the success of the John Laws programme, while trying to hang on its huge audience - many of whom were not ready for the introduction of talk-back radio by their beloved NEW2UW. This TV commercial, from 1986 celebrates the station's history as the jingle takes viewers on a journey throughout the years. In 1994, 2UW was successful in bidding to convert to FM and became Mix 106.5.In 2014, the station rebranded to KIIS 1065, borrowed from KIIS-FM in Los Angeles. The station is owned by the Australian Radio Network. https://www.radioheritage.net/Story196.asp https://en.wikipedia.org/wiki/KIIS_106.5 STV Archive is not the copyright owner of this content. This channel is an archive and commentary on popular culture that shapes the way we communicate through advertising. It also pays homage to the creative people who produced these works.
Diet Coke - Legends

Diet Coke - Legends

A breakthrough commercial for Coke. Humphrey Bogart walks into a nightclub — ”Hello, Joe, what do you know?” — and a hostess turns around to greet him. Pretty people are dancing, and Jimmy Cagney is drinking at the bar, while across the room Elton John pounds a piano as Louis Armstrong blows his horn. It took production and special-effects people 1,700 working hours and the following stages: Each of the ”icons” (the captured images of Bogart, Cagney, and Armstrong) was transferred from its original film to D-1 digital videotape in order to ”steady” the image. Bogart was plucked from All Through the Night (1942), and Armstrong from High Society (1956); Cagney’s entrance was taken from Public Enemy (1931) and his interlude at the bar from The Roaring Twenties (1939). The background scene, with Elton John and crew, was choreographed and lit to accommodate the icons, which were colorised and integrated later. Some foreground scenes were shot separately against green screens to create an illusion of depth, so that the hostess, for example, appears to be standing in front of Bogart. Finally, it all came together in post-production, where all elements were superimposed on one another, frame by frame. Source: https://ew.com/article/1991/12/20/reuniting-legends-tv-ad/ STV Archive is not the copyright owner of this content. This channel is for private entertainment viewing and provides commentary on popular culture that shapes the way we communicate through advertising. It also pays homage to the creative people who produced these works.
Diet Coke - Legends

Diet Coke - Legends

A breakthrough commercial for Coke. Humphrey Bogart walks into a nightclub — ”Hello, Joe, what do you know?” — and a hostess turns around to greet him. Pretty people are dancing, and Jimmy Cagney is drinking at the bar, while across the room Elton John pounds a piano as Louis Armstrong blows his horn. It took production and special-effects people 1,700 working hours and the following stages: Each of the ”icons” (the captured images of Bogart, Cagney, and Armstrong) was transferred from its original film to D-1 digital videotape in order to ”steady” the image. Bogart was plucked from All Through the Night (1942), and Armstrong from High Society (1956); Cagney’s entrance was taken from Public Enemy (1931) and his interlude at the bar from The Roaring Twenties (1939). The background scene, with Elton John and crew, was choreographed and lit to accommodate the icons, which were colorised and integrated later. Some foreground scenes were shot separately against green screens to create an illusion of depth, so that the hostess, for example, appears to be standing in front of Bogart. Finally, it all came together in post-production, where all elements were superimposed on one another, frame by frame. Source: https://ew.com/article/1991/12/20/reuniting-legends-tv-ad/ STV Archive is not the copyright owner of this content. This channel is for private entertainment viewing and provides commentary on popular culture that shapes the way we communicate through advertising. It also pays homage to the creative people who produced these works.

STV Archive

We are not the copyright owner of this content. This channel is for private entertainment viewing and provides commentary on popular culture that shapes the way we communicate through advertising. It also pays homage to the creative people who produced these works.

STV Archive does not generate revenue. For the love of television.

 

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